Sunday, September 28, 2025

CBGB Festival

I’m more of a new waver than a punk rocker, even though I played at CBGB in 1983. So I debated whether or not it was worth paying $179 to go to the CBGB Festival at Under the K Bridge Park in Brooklyn (especially considering I once paid $3 to go to the actual CBGB on New Year’s Eve). I waited until the last minute and finally relented because I thought it might be my last chance to see Iggy Pop live.

You see, I was supposed to see Iggy Pop (and Siouxsie Sioux) two years ago at the Cruel World Festival in Pasadena, but his set was cut short because of so-called “dangerous weather” (i.e., a thunderstorm that never actually materialized) and Siouxsie didn’t get to perform at all. (Yes, I’m still pissed off.) To their credit, they came back the next day to do a makeup show, but I couldn’t afford a $90 Uber round-trip to go back and, besides, I had plans to have lunch a friend of mine.

Another reason I decided to go is because Iggy Pop is a major inspiration for my screenplay, All the Bands in the ’80s.

So I entered the CGBG Festival at about the halfway point. The first act I saw was Johnny Marr, formerly of the Smiths. Much to my surprise (and delight) he tore through a number of Smiths songs: “Panic,” “This Charming Man,” “Please, Please, Please Let Me Get What I Want,” “How Soon Is Now?” and “There Is a Light That Never Goes Out,” as well as “Getting Away With It” by Electronic (the group formed by Marr and Bernard Sumner of New Order).

I was in ’80s heaven!

Next up was the Damned. I’m not as familiar with their music, except for the vaguely new wave-ish “Eloise.” I like Damned guitarist Captain Sensible’s song, “Wot,” but they didn’t play it. Oh, well…

Then came guitar virtuoso Jack White, another performer I’m not that familiar with apart from the White Stripes’ “Seven Nation Army,” which he closed with and whose riff the audience sang. White’s like a cross between Jimi Hendrix and Robert Plant from Led Zeppelin. He doesn’t sing as much as yelp, but boy can he play guitar!

Finally, it was time for the man, the myth, the legend: Iggy Pop!

After two years of waiting, I was a little bit taken aback. How can I put this delicately? Let’s just say, he’s a 78-year-old man performing shirtless. (I guess I wasn’t that close to the stage two years ago.) Nevertheless, his hair is fabulous and his voice is intact. And the songs! “Lust for Life,” “The Passenger,” “I Wanna Be Your Dog.” Even if you haven’t followed his career closely, you know those songs!

But for me, the importance of Iggy Pop is more symbolic. The fact that he’s still rocking out is an inspiration.

As his character says in my screenplay, “Sometimes you just have to grab life by the balls.”

Now I just need Siouxsie to do a show in New York City.

Johnny Marr

Captain Sensible from The Damned
Jack White
Iggy Pop

Monday, September 1, 2025

Oasis at MetLife Stadium

I went to see Oasis’s long-anticipated show at MetLife Stadium tonight. It was a sea of bucket hats and Adidas track jackets! I didn’t think they were that popular in America and yet they sold out two nights!

For the uninitiated, Oasis is a British band that was popular in the ’90s, consisting mainly of two brothers, Liam and Noel Gallagher, who, apart from their music, are most famous for fighting with each other. The band broke up in 2009, so it was major news when they announced they’d be touring this year.

To be honest, I’m not a big Oasis fan. But somehow, songs like “Champagne Supernova” and “Wonderwall” were ubiquitous in the ’90s. I heard them on DARE.fm (formerly WLIR/WDRE), but where did everyone else hear them? (I vaguely recall seeing their videos on MTV.)

It was instructive seeing them live, though, to see how Liam and Noel traded vocals and how Noel backed Liam up on vocals and guitar. (Liam doesn’t play any instruments, unless you count maracas and tambourine.)

I kind of preferred Noel’s vocals. Liam seems to perform all his vocals in the key of sneer. He’s also not the most exciting performer. He usually plants himself behind his mic stand with his hands behind his back and just stands there. It’s not exactly a Madonna concert, where every move is choreographed. (The video projections helped immensely.)

It was basically a greatest hits show that came in at about two hours. Other highlights included “Don’t Look Back in Anger” and “Live Forever” (although they didn’t play my favorite song of theirs, “I’m Outta Time”).

But here’s the thing about stadium concerts: the audience has become the star. It’s bad enough they now watch entire concerts through their cell phones. They now sing louder than the band onstage (and often out of tune).

The most charitable thing I can say about such concerts is that they show how music can bring us together.

In these troubled times, you have to take your pleasure where you can.

Liam
Liam
Liam
Noel
Noel

Sunday, August 3, 2025

Lost 80s Live

I celebrated my birthday last night by attending the Lost 80s Live concert at Pier 17 in New York City. I’m at the point now where I think I have seen almost every band that came out in the ‘80s, so now I’m getting down to the one-hit wonders.

I think last year’s Totally Tubular concert had a better lineup (and any year’s Cruel World festival had a much better lineup). Each act performed three to four songs. Some acts only had three to four songs worth hearing and others had to leave some favorites out. (China Crisis left out “Black Man Ray,” my favorite song of theirs, albeit a ballad) and A Flock of Seagulls left out “Telecommunication,” which they should have performed instead of their new song.

I think the highlight of the show was General Public, which displayed real musical chops, stopping each song on a dime and performing with a full lineup. Other acts were overwhelmed by their backing tracks (Peter Godwin) and/or had vocal issues (Belouis Some’s voice was shredded and even A Flock of Seagulls’ Mike Score sounded a little off.)

On the other hand, there were also some pleasant surprises. China Crisis’ Gary Daly had a great sense of humor (much like OMD’s Andy McCluskey did at this year’s Cruel World festival) and Simon Hough did a good job singing lead for Big Country (original lead vocalist Stuart Adamson passed away in 2001), unlike Steve Diggle, who subbed for the late Pete Shelley in the Buzzcocks at this year’s Cruel World festival.

The evening was helped immensely by Los Angeles DJ/emcee Richard Blade, who kept the show moving by playing ’80s music videos in between acts, which had the audience singing along.

It also helped that the concert was held at Pier 17, a great venue with a view of lower Manhattan and the Brooklyn Bridge.

Pier 17
It's an '80s reunion!
Polecats
Icycle Works
Josie Cotton
The Vapors
Belouis Some
Peter Godwin
China Crisis
General Public and Richard Blade
Big Country
A Flock of Seagulls

Tuesday, July 8, 2025

All the Bands in the '80s Indiegogo Campaign Launch

I'm thrilled to announce that I've officially launched my Indiegogo campaign for my screenplay, "All the Bands in the '80s"!!! And I'm offering some great perks! For $25 you get a thank you in the credits! For $50 you get a thank you in the credits AND a chance to appear as an extra in a crowd scene! You can donate here: https://igg.me/at/AllTheBandsInThe80s/x/38080695#/

I'm also planning to do a Facebook fundraiser in conjunction with my birthday on August 2.

Sunday, June 29, 2025

Fuck Trump/Fuck ICE

It’s Pride Day, but not I’m not feeling very proud as an American. Quite the opposite. I’m absolutely furious about what’s going on in this country. People are being kidnapped off the street and disappeared to foreign countries or sent to concentration camps in this country. Meanwhile, in the dead of night, Senate Republicans passed Trump’s "Big Beautiful Bill," which would cut Medicaid and give Trump unchecked power.

As Aaron Hicklin pointed out in his New York Times essay last week, our fair-weather corporate allies have abandoned us due to Trump’s policy of intimidation and censorship. So the Pride March, which I’ve attended and/or marched in for over 40 years, may have to, of necessity, become more political, as it was originally.

Which is why, when I attend today’s march, I’ll be carrying these two homemade signs. It’s not much, but it’s all I could fit.

Monday, June 23, 2025

All the Bands in the ’80s Indiegogo Pre-launch

I’m proud to announce the pre-launch of my Indiegogo campaign for my screenplay about the Cruel World festival, All the Bands in the ’80s. Sign up here to find out when my campaign goes “live”: https://www.indiegogo.com/projects/--3235048/coming_soon/x/38080695

Sunday, May 18, 2025

Cruel World Festival 2025

It seemed like the universe was conspiring against me when I attended the Cruel World festival for the third time this year. Everything from the weather (unseasonably cool and rainy) to my plane (late) to my bus (also late) to my Airbnb (disgustingly dirty) went wrong. I even showed up late to see the first act I was interested in, Midge Ure, because I read the schedule wrong. (Fortunately, I’d already seen him in New York). Festival security even confiscated my umbrella at the entrance! 

And I’ll explain why that was a problem.

You see, I’d been planning this trip for several months! The one day I needed the weather to be good, it sucked! Several British performers even apologized for “bringing the British weather.” 

And I have a history of bad weather with Cruel World.

The first time I attended the festival, two years ago, Iggy Pop’s set was cut short and Siouxsie didn’t perform at all because of “dangerous” weather (i.e., lightning). 

 And I’m still pissed off about it!

After I was at the concert for about three hours, the rain stopped. Still, three hours of steady drizzle can be pretty fucking annoying!

In spite of the rain, I was happy to be among my people: fans of ’80s music. I even shed a tear, ironically, during Midge Ure’s “Dancing with Tears in My Eyes.”

Some other things I made note of:

  • Alison Moyet lost weight!
  • The Buzzcocks performed without their original lead singer Pete Shelley, who died in 2018. (Original member Steve Diggle handled lead vocals.) They tore through their set so fast, it was if they were hoping that people wouldn’t notice that the guy singing wasn’t Pete Shelley.
  • Madness sounded great and their saxophonist, Lee Thompson, took off his clothes.
  • Devo has great visuals.
  • The Go-Gos have great harmonies, but they played a different arrangement of “Our Lips Are Sealed,” one of the greatest pop songs ever written. (I suppose bands get tired of playing even great songs.)
  • Bernard Sumner of New Order may have a limited vocal range, but the band makes up for it with innovative synthesizer and drum machine programming and by using the bass as a lead instrument.
  • I was pleasantly surprised by some bands I haven’t seen before (Blancmange, OMD).

On a more positive note, I finally figured out where the Rose Bowl's free shuttle buses are, so I didn’t have to walk a mile (to avoid congestion pricing) and then wait a half hour for a Lyft. 

If I come back next year, I’ll stay at the Airbnb I stayed at last year (which was immaculate). 

And maybe, if I’m really lucky, it won’t rain.

Midge Ure

Blancmange

Alison Moyet

OMD's Andy McCluskey

OMD's Paul Humphreys

Madness

Devo

The Go-Go's

New Order